Theatre Reviews

Review: Penetrator by Fear No Colours

penetrator
Tom White (left) as Tadge and Chris Duffy (right) as Max

Rating: ★★★★ (4 stars)

Play: Penetrator

Playwright: Anthony Neilson

Director: Julia Midtgard

Company: Fear No Colours

Genre: Thriller

Venue: C-cubed, Edinburgh Festival Fringe

Performance Date: 10 Aug. 2017

Summary: “Flatmates Max and Alan are happily nursing their hangovers when their old friend Tadge arrives on their door, AWOL from the army and just in time to upset the delicate balance of chill nothings. Something happened to him in the Black Room, where the Penetrators are, something too terrible to speak of. So it must be shown.” (Source: fearnocolours.com)

Content Warnings: simulated sex, masturbation, explicit language, violence, descriptions of rape.


My thoughts

Penetrator is not for the light-hearted and neither was the Fear No Colours’ production. The play literally opens in darkness and gradually, reality begins to blur for the three characters. The shift in atmosphere commences with the entrance of Tadge, portrayed by Tom White, who is evidently disturbed by a series of events. White’s restless character was intriguing to watch, even when he was not speaking. You could see the cogs turning in Tadge’s mind which reflected on his face. Despite seeing his face, White’s character was unpredictable, which made his performance intense and thoroughly captivating.

The shift in atmosphere commences with the entrance of Tadge, portrayed by Tom White, who is evidently disturbed by a series of events. White’s restless character was intriguing to watch, even when he was not speaking. You could see the cogs turning in Tadge’s mind which reflected on his face. Despite seeing his face, White’s character was unpredictable, which made his performance intense and thoroughly captivating.

Unlike Tadge, Max hides a lot behind his dark humour and seemingly apathetic attitude. At the start of the play, Max comes across lazy, much to the annoyance of his flatmate, Alan. Some of Max’s misogynistic and abhorrent beliefs were delivered with acidic truth by Chris Duffy.  The final scenes of Penetrator are where Duffy shines, or rather, where Max is at his darkest.

However, Matt Roberts’ performance was the weakest of the three. I felt that Roberts’ expressions were annoyingly exaggerated throughout the play, in particular during the eye contact with Tadge. In general, I think the whole cast needs to project and articulate much more as some of the lines/impersonations were lost amongst mumbling, shouting, and laughter.

Why did I attend this play?

In-Yer-Face plays are not often performed due to their explicit and uncomfortable content, so it was a must.

Would I attend another Fear No Colours production?

The company regularly tackles difficult issues, so absolutely, I like being challenged.

Overall…

If you enjoy challenging, visceral theatre, then this is for you. The play is being extended at the Edinburgh Festival Fringe according to the Fear No Colour’s Twitter, so make sure to follow them to keep updated.

– Melissa Jennings


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